![]() Have you noticed any specific changes in your playing through the pandemic and its isolation? Have you grown as a player?īelieve it or not, I tend to be naturally a bit undisciplined and I find excuses to put off what should be my number one priority-being a guitar player. He also reflected on lessons learned in the court of the tragically departed King of '80s Rock Guitar: Edward Van Halen. The disarmingly friendly shred hero chatted for hours about the manic, arduous, and inspirational process of crafting the Banishment's exciting new LP, and the killer vintage amps and improvised recording techniques he used in the studio. When he answered our call this time, he was in a similar situation to most of us: working through the monotony of these strange times at home with the help of his guitar. The last time Premier Guitar spoke with Lynch, he was cruising around North Hollywood, picking up and dropping off gear with some of the most respected names in the business. It's an original and surprisingly cohesive sound, not to mention a major departure from anything the guitarist ever released under the Lynch Mob moniker, which he retired last August following what he describes as a social awakening, admitting that the play on his surname was always “problematic," but is now “inexcusable" in its racial undertones. ![]() The trio has been teasing music via an Indiegogo campaign and is anticipating the release of its debut LP soon, but Lynch sounds like he's just enjoying the creative process and describes working with his Banishment cohorts as “liberating." The group's debut single, “Lost Horizon," is a turbulent, angst-ridden stomper that recalls the furious churn and dense layering of '90s industrial, but with Lynch's incendiary guitar riffs at its core. The pair struggled to find the right singer early on-and even recorded some songs with Tommy Victor of Prong and Danzig fame-but finally found the correct voice in Devix Szell. With the Banishment, Lynch has worked closely with producer, electronics, and remixing whiz Joe Haze (ex-Lords of Acid) for over six years. They were like, “We want 'Wicked Sensation!' So I do all these other projects so I can get away with making different-sounding stuff." “Anytime we veered away from that or got experimental, people didn't dig it. “Lynch Mob had a specific style and you had to stay true to that," the restless rocker explains. ![]() However, Lynch's latest venture might just be his least expected to date: an electronic-heavy industrial trio called the Banishment, which plunges his formidable guitar chops into the drastically different context of cold, futuristic synths and brutal programmed rhythms. That intuition, coupled with an open mind and a remarkable passion for the guitar, has seen Lynch explore a wide range of genres and build a staggering body of work as a solo artist and featured guitarist. ![]() Unlike many of his peers, who were left rudderless after grunge wholly rearranged the landscape of rock music in the '90s, Lynch has navigated the shifting trends of the post-shred era by fearlessly following his artistic intuition. Scary," off Dokken's 1987 album, Back for the Attack, is still cited by many as one of the most vital documents of '80s rock guitar. He was the first major player to have a line of artist models with ESP Guitars when they initially hit the scene, his charismatic stage presence and look were often copied by hordes of fledgling shredders at the peak of the gunslinger guitarist movement, and his signature instrumental feature, “Mr. ![]() It's no stretch to say that Lynch played an integral role in defining the sound and aesthetic of the '80s shred guitar hero. As the lead guitarist of platinum-selling hard rockers Dokken and with his solo group Lynch Mob, George Lynch was one of the most influential and visible guitarists of the 1980s. ![]()
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